How to Make a Paradise

Paradise stirs fulfillment and longing: for far away and beauty, for effortless existence. Digital gadgets are available anytime, anywhere. They promise expansion of our comfort zone, and abduct us from the here and now. They transport us into worlds whose surface appearance is adaptable to our wishes.

I am here to learn

15.02. – 08.04.2018, Frankfurter Kunstverein
Curator: Mattis Kuhn, Co-curator: Franziska Nori

The thematically organized group exhibition I am here to learn addresses adaptive algorithms and artificial intelligence (AI). The exhibition focuses on perception and interpretation as human qualities, which machines can acquire through learning procedures. The Frankfurter Kunstverein will present international artists, whose work thematizes the processes involved in machine perception and autonomous action.

Künstliche Ökologie

("Artificial Ecology")


The book »Artificial Ecology« presents »One Hundred Views from the Cosmos of the Positive Extraction and Reproduction System«. These one hundred images were generated with Generative Adversarial Networks (GAN). As basis served 3500 Portraits of individuals, which were compiled from online platforms. The hand-picked selection is generally considered positive in its visual appearance.


Website, image film, brochure, fruit gum packages, fair stand

lys is a visionary start-up: »In a future society, humans are networked via synthetic neurons, thoughts are of common origin. This enables dealing with complexity, decentralized decision-making and an individual behavior for the collective benefit and in planetary sustainability.«


Video, software (processing)


This work questions the significance of code in relation to its output, to the perceptible. How can we grasp their correlation? Which is the relevance of the manufacturing method when it is not shown in the product? What is the value of the non-visible? Does the tension between visible algorithm as a program and invisible algorithm inside the produced black square change the subjective view?


Sound installation
4 single board computers (odroid xu4), speaker, 7″ display, wood, wlan router, software: Lubuntu OS, Python, SuperCollider

The forkbombEnsemble plays with the open interplay between several computing units and their computing capacities. It‘s based on a forkbomb, a programme, which invokes itself exponentially until a system overload.

Herz Woyzeck



Contains Itself

Software (processing), display, deck chairs, container

Contains Itself is a software trying to achieve duration through the cultural practice of collecting.

The software is surfing through the net, searching for data files to collect in order to create its own unique self through its collection.


10 inch vinyl, label, 12min. loop, record player with repeat mode, speaker

True Radio

Sound installation
pipe, endless rotary knob, software (Pure Data), single board computer (rpi), microcontroller, speaker, voice

Die Wahrheit – das hörte sich für uns Kinder an, als könnte man sich nach ihr aufmachen wie nach China, und suchen – das klang, als könnte man sie, wie man in feuchten Sommern nach Pilzen sucht, in den Wäldern suchen und einen ganzen Korb voll davon heimtragen.


HTML, JavaScript, PHP

cuttingNews generates a unique news article by combining top news from several newspapers.

cuttingNews operates with computational objectivity to satisfy the critical reader.

Arbeiter Verstimmen Die Fabrik

Sound installation

soli t und i

Sound installation
steel rope, 2 mini loudspeakers, bodyshaker, 2 dc-motors, 2 microcontroller, 2 lightsensors, cable

Towards a Planetary Identity

Theoretical part of the speculative project lys.

At present, human thinking is limited by each person's own cognitive abilities, perceptual experiences and the individual, reduced model of the world. Although we are expanding our cognitive abilities through language, thinking tools,

Unbestimmtheitsspielräume Algorithmischer Geflechte

Diploma thesis
University for Art and Design, Offenbach am Main

The core statement is, that leeway of vagueness are increasingly existent or established in algorithmic meshworks and thus require an inspection from outside the computer sciences and that the field of art is a possible outside through its fundamental vagueness.

Machine Learning in Artistic Practice


Artistic projects enable a critical examination of machines capable of learning, but also a creative use of their potentials. Art offers freedom for experimental handling, for research without reference to application and for attempts to determine a suitable relationship with technology.